In Brazil, today, there are 26 century-old newspapers in circulation. To stay relevant, they strive to stay true to their history and connected with readers who’ve been with them for decades, emphasizing their belonging to the community.
The 2019 edition of the ‘Javier Valdez’ Latin American Prize for Investigative Journalism recognized journalists from Quinto Elemento Lab (Mexico), Globo TV (Brazil) and the Center for Investigative Journalism (CPI) of Puerto Rico, for excellence in journalism.
Thirty winners in 10 Latin American countries were selected as part of the Google News Initiative Innovation Challenges for 2019 and together will receive about US $4.4 million to develop digital projects.
In Bolivia, several media outlets and journalists have found it necessary to suspend their work in the face of the insecure environment that prevails in the country after three weeks of social demonstrations.
Glenn Greenwald, a U.S.-born journalist who lives in Brazil and co-founder of The Intercept and The Intercept Brasil, was slapped during a live show on Brazilian radio station Jovem Pan on which he appeared as a guest.
Buenaventura Calderón, a radio host who was critical of local authorities, was shot and killed in eastern Honduras on Oct. 31 by unknown individuals riding a motorcycle.
The gloomy end of Jornal do Brasil is not necessarily the rule that is being followed by other Brazilian newspapers that, more recently, have also given up their daily print editions to prioritize digital platforms.
In Mexico, when a journalist asks the president a critical question during his press conferences, he is then attacked on social networks explained Mexican journalist Gabriela Warkentin of W Radio during the event “Media and Democracy in Times of Digital Cholera and Polarization in Latin America.”
Never in the history of Brazil have journalists and digital media been attacked the way they are being targeted now, said Leandro Demori, executive editor of investigative site The Intercept Brasil.
The editorial “O lugar de cada um” (The place of each one), published on Nov. 5 in the newspaper O Globo, is another development in the tense relationship between Bolsonaro and the press, fueled by the president's recurring attacks on critical journalism.
Cartoonist Pedro X. Molina talked about the current political crisis Nicaragua is experiencing and how critical media have become targets in the process. It was part of the event, “Media and Democracy in Times of Digital Cholera and Polarization in Latin America.”
Twenty years ago, journalists could not have imagined the present situation for media in Venezuela, according to Luz Mely Reyes, director and co-founder of digital site Efecto Cocuyo.