{"id":2422,"date":"2019-08-08T20:48:28","date_gmt":"2019-08-09T01:48:28","guid":{"rendered":"https:\/\/live-lajr.pantheonsite.io\/?p=2422"},"modified":"2020-06-10T19:26:46","modified_gmt":"2020-06-11T00:26:46","slug":"fundacion-periodistica-fnpi-de-colombia-cambia-de-nombre-a-fundacion-gabo","status":"publish","type":"post","link":"https:\/\/latamjournalismreview.org\/es\/articles\/fundacion-periodistica-fnpi-de-colombia-cambia-de-nombre-a-fundacion-gabo\/","title":{"rendered":"Fundaci\u00f3n period\u00edstica FNPI de Colombia cambia de nombre a Fundaci\u00f3n Gabo"},"content":{"rendered":"

Luego de 24 a\u00f1os, la fundaci\u00f3n period\u00edstica que cre\u00f3 el periodista y nobel de literatura colombiano, Gabriel Garc\u00eda M\u00e1rquez, en Cartagena, Colombia, cambia de nombre. La Fundaci\u00f3n Gabriel Garc\u00eda M\u00e1rquez para el Nuevo Periodismo Iberoamericano (FNPI) es ahora la Fundaci\u00f3n Gabo, que toma el apelativo afectuoso con el que se conoce al escritor.<\/p>\n

<\/a>El nuevo log de la Fundaci\u00f3n Gabo, antes la FNPI.<\/div>\n

Este cambio de nombre, lanzado en agosto de 2019, responde a la necesidad de incluir los m\u00faltiples formatos, proyectos e iniciativas<\/a> que a lo largo de m\u00e1s de dos d\u00e9cadas ha ido desarrollando la fundaci\u00f3n, de acuerdo con su sitio web.<\/p>\n

\u201cEsta es una decisi\u00f3n estrat\u00e9gica que fue evaluada con mucho cuidado por m\u00e1s de un a\u00f1o. Participaron distintas instancias; inicialmente se hizo un diagn\u00f3stico con asesores sobre la necesidad de alinear el nombre de la fundaci\u00f3n y sus principales iniciativas con miras a tener, digamos, un dinamismo mayor, un reconocimiento m\u00e1s amplio\u201d, dijo al Centro Knight<\/strong> el director general de la Fundaci\u00f3n Gabo, Jaime Abello Banfi.<\/p>\n

Abello coment\u00f3 que optaron por el nombre con el que se le conoce m\u00e1s amistosamente al fundador. \u201cDe tal manera que tenemos: Fundaci\u00f3n Gabo, ahora el Premio Gabo, el Festival Gabo y, finalmente, el otro proyecto, es el Centro Gabo\u201d, a\u00f1adi\u00f3.<\/p>\n

\u201cEsto es una decisi\u00f3n concertada no solo con la Junta Directiva sino con la familia Garc\u00eda Barcha, y que cuenta con el apoyo de una serie de expertos y consultores. Esperamos que signifique un impulso para el trabajo de la fundaci\u00f3n\u201d, sostuvo.<\/p>\n

Sin embargo, se trata solo de un cambio de marca pues su objetivo seguir\u00e1 siendo el mismo, inform\u00f3. Seguir\u00e1 liderando iniciativas para que las nuevas generaciones de periodistas<\/a> de los pa\u00edses iberoamericanos sigan haciendo \u201cel mejor periodismo del mundo\u201d. Es decir, continuar\u00e1 con la formaci\u00f3n de profesionales de prensa y fomentando un periodismo investigativo, independiente, riguroso, \u00e9tico y creativo.<\/p>\n

\u201cLo esencial de la misi\u00f3n se mantiene y nuestro compromiso con el periodismo pero tambi\u00e9n con la memoria de Gabriel Garc\u00eda M\u00e1rquez, convertida en un activo social para trabajar por la creatividad, por las historias, no solo con periodistas sino con otros sectores de la ciudadan\u00eda y la sociedad, especialmente ni\u00f1os y j\u00f3venes\u201d, se\u00f1al\u00f3 Abello. \u201cY en cualquier caso, insisto, la fundaci\u00f3n tendr\u00e1 como eje principal el periodismo pero no va a hacer exclusivamente period\u00edstica\u201d, precis\u00f3.<\/p>\n

Desde hace 6 a\u00f1os, la ahora Fundaci\u00f3n Gabo organiza el ya prestigioso Premio Gabriel Garc\u00eda M\u00e1rquez de Periodismo<\/a>. El antecedente de esta premiaci\u00f3n es el Premio Nuevo Periodismo Cemex + FNPI<\/a>, que se organiz\u00f3 de 2000 a 2010. En sus numerosas ediciones ha reconocido y promovido los mejores trabajos period\u00edsticos iberoamericanos.<\/p>\n

Adem\u00e1s de la premiaci\u00f3n, la fundaci\u00f3n organiza el concurrido Festival Gabo<\/a>, cuya duraci\u00f3n es de tres d\u00edas en Medell\u00edn, Colombia, y en el cual se celebra a los galardonados del Premio Gabo. Los intereses tem\u00e1ticos de esos tres d\u00edas versan entre periodismo, ciudadan\u00eda, cultura y tecnolog\u00eda.<\/p>\n

Asimismo, durante el festival y a lo largo del a\u00f1o, la fundaci\u00f3n ofrece talleres que buscan reforzar las habilidades de los periodistas, tanto j\u00f3venes como experimentados, respecto de las nuevas herramientas narrativas, g\u00e9neros y formatos de creaci\u00f3n con los que cuenta la profesi\u00f3n.<\/p>\n

El pr\u00f3ximo festival tendr\u00e1 lugar del 2 al 4 de octubre, en Medell\u00edn.<\/p>\n

La Fundaci\u00f3n Gabo tiene tambi\u00e9n un programa de \u00e9tica period\u00edstica<\/a>, el cual se han convertido en una importante gu\u00eda de valores para periodistas y comunicadores en toda la regi\u00f3n.<\/p>\n

\u201cLa misi\u00f3n principal es el trabajo por el mejor periodismo en los pa\u00edses de lengua espa\u00f1ola y portuguesa, especialmente a trav\u00e9s de la actividad de la formaci\u00f3n. Pero tambi\u00e9n, ahora va a ser parte de la misi\u00f3n el legado de Garc\u00eda M\u00e1rquez convertido en un factor de desarrollo social y cultural, que es el componente que se llama Centro Gabo\u201d, acot\u00f3 Abello.<\/p>\n","protected":false},"excerpt":{"rendered":"

Luego de 24 a\u00f1os, la fundaci\u00f3n period\u00edstica que cre\u00f3 el periodista y nobel de literatura colombiano, Gabriel Garc\u00eda M\u00e1rquez, en Cartagena, Colombia, cambia de nombre. La Fundaci\u00f3n Gabriel Garc\u00eda M\u00e1rquez para el Nuevo Periodismo Iberoamericano (FNPI) es ahora la Fundaci\u00f3n Gabo, que toma el apelativo afectuoso con el que se conoce al escritor.<\/p>\n","protected":false},"author":4,"featured_media":2423,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1211,18],"tags":[1395],"coauthors":[],"class_list":["post-2422","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-modelo-de-negocio-es","category-sin-categorizar","tag-colombia-es-2"],"acf":[],"yoast_head":"\nFundaci\u00f3n period\u00edstica FNPI de Colombia cambia de nombre a Fundaci\u00f3n Gabo - LatAm Journalism Review<\/title>\n<meta name=\"description\" content=\"Fundaci\u00f3n period\u00edstica FNPI de Colombia cambia de nombre a Fundaci\u00f3n Gabo . 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She focuses on covering and writing about the Andes region. In Peru, Paola worked in the Lima office of the Italian news agency ANSA, on the economic news desk of the daily Expreso, and for ten years she has been working on different editorial projects doing picture editing and research for one of the oldest Spanish-language papers in the world, the Peruvian newspaper El Comercio. She also enjoyed writing for the newspaper weekly magazine Somos. Paola Nalvarte es una periodista y fot\u00f3grafa documental peruana que vive en Austin, Texas. El foco de inter\u00e9s de su cobertura noticiosa es la regi\u00f3n andina. En Per\u00fa, Paola trabaj\u00f3 en la oficina de Lima de la agencia italiana de noticias ANSA, en la secci\u00f3n de econom\u00eda del diario Expreso y por diez a\u00f1os hizo investigaci\u00f3n fotogr\u00e1fica y edici\u00f3n de fotograf\u00eda editorial en el diario decano de la prensa peruana, El Comercio. 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Ela tamb\u00e9m escreveu artigos de meio ambiente e cultura para a Somos, a revista semanal do mesmo jornal.","sameAs":["https:\/\/x.com\/paolanalvarte"],"url":"https:\/\/latamjournalismreview.org\/es\/articles\/author\/paola-nalvarte\/"}]}},"_links":{"self":[{"href":"https:\/\/latamjournalismreview.org\/es\/wp-json\/wp\/v2\/posts\/2422","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latamjournalismreview.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latamjournalismreview.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latamjournalismreview.org\/es\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/latamjournalismreview.org\/es\/wp-json\/wp\/v2\/comments?post=2422"}],"version-history":[{"count":2,"href":"https:\/\/latamjournalismreview.org\/es\/wp-json\/wp\/v2\/posts\/2422\/revisions"}],"predecessor-version":[{"id":6461,"href":"https:\/\/latamjournalismreview.org\/es\/wp-json\/wp\/v2\/posts\/2422\/revisions\/6461"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/latamjournalismreview.org\/es\/wp-json\/wp\/v2\/media\/2423"}],"wp:attachment":[{"href":"https:\/\/latamjournalismreview.org\/es\/wp-json\/wp\/v2\/media?parent=2422"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latamjournalismreview.org\/es\/wp-json\/wp\/v2\/categories?post=2422"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latamjournalismreview.org\/es\/wp-json\/wp\/v2\/tags?post=2422"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/latamjournalismreview.org\/es\/wp-json\/wp\/v2\/coauthors?post=2422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}