{"id":120066,"date":"2025-03-07T13:34:58","date_gmt":"2025-03-07T19:34:58","guid":{"rendered":"https:\/\/latamjournalismreview.org\/?p=120066"},"modified":"2025-03-07T13:34:58","modified_gmt":"2025-03-07T19:34:58","slug":"reporteres-dao-vida-as-investigacoes-no-palco-para-criar-uma-conexao-profunda-com-o-publico","status":"publish","type":"post","link":"https:\/\/latamjournalismreview.org\/pt-br\/articles\/reporteres-dao-vida-as-investigacoes-no-palco-para-criar-uma-conexao-profunda-com-o-publico\/","title":{"rendered":"Rep\u00f3rteres d\u00e3o vida \u00e0s investiga\u00e7\u00f5es no palco para criar uma conex\u00e3o profunda com o p\u00fablico"},"content":{"rendered":"

Entre duas cadeiras, dois jornalistas e um palco, uma cena toma forma.<\/p>\n

No escuro, entre 400 e 500 pessoas ocupam seus respectivos lugares para conhecer\u00a0um projeto de \u00f3leo de palma que deslocou o povo ind\u00edgena Sikuani<\/u><\/a> de seu territ\u00f3rio ancestral por mais de 16 anos.<\/p>\n

Mas esta n\u00e3o \u00e9 como as produ\u00e7\u00f5es teatrais que normalmente s\u00e3o levadas ao palco. A base desta cena \u00e9 uma investiga\u00e7\u00e3o jornal\u00edstica feita por\u00a0Rutas del Conflicto<\/u><\/a>, ve\u00edculo especializado na cobertura do conflito armado, e\u00a0Mongabay<\/u><\/a>, especializado em cobertura ambiental.<\/p>\n

\"Cada vez que sa\u00edmos de um espa\u00e7o teatral, as pessoas t\u00eam olhares muito mais pr\u00f3ximos do que se tem no territ\u00f3rio\", disse \u00d3scar Parra, diretor de Rutas del Conflicto, \u00e0\u00a0LatAm Journalism Review (LJR)<\/strong>.<\/p>\n

\"Woman

Pilar Puentes speaks during the Rutas del Conflicto performance on displacement of the Sikuani Indigenous people. (Photo by Ricardo Quintero\/Rutas del Conflicto)<\/p><\/div>\n

A cenografia \u00e9 composta por duas cadeiras de madeira, onde os jornalistas cumprem seu papel de envolver o p\u00fablico durante uma hora e meia em vez de alguns minutos \u2013 como normalmente acontece atrav\u00e9s dos meios online. P\u00e1ginas e letras transformam-se em algo vivo e visual que cria uma conex\u00e3o com o p\u00fablico, disse Parra.<\/p>\n

\"A diferen\u00e7a \u00e9 a forma pr\u00e1tica de entender uma investiga\u00e7\u00e3o\", disse Juan Carlos Contreras, fotojornalista de Rutas del Conflicto, \u00e0\u00a0LJR<\/strong> . \"Muitas vezes um texto \u00e9 cansativo de ler, as pessoas n\u00e3o o entendem ou n\u00e3o o leem completamente. Aqui h\u00e1 intera\u00e7\u00e3o com o p\u00fablico\".<\/p>\n

Durante o \u201cstand-up\u201d, como os jornalistas chamam essa produ\u00e7\u00e3o teatral, \u00e9 apresentada ao p\u00fablico uma s\u00e9rie de fotografias, depoimentos dos ind\u00edgenas e documentos. Dessa forma, a plateia consegue compreender a realidade dos Sikuani, disse Contreras.<\/p>\n

\"People

The audience reads material during a Rutas del Conflicto theatrical performance about the so-called 'false positive' victims in Colombia. (Photo by Nicole Acuna\/Rutas del Conflicto)<\/p><\/div>\n

Quando um consumidor de not\u00edcias l\u00ea uma hist\u00f3ria online, o seu tempo \u00e9 muito curto comparado ao que acontece no teatro. Para jornalistas investigativos, \u00e9 dif\u00edcil encontrar maneiras de aumentar o tempo de exposi\u00e7\u00e3o dos olhos em textos publicados, disse Parra.<\/p>\n

Ele disse que outra vantagem de subir no palco como jornalista \u00e9 o tipo de pessoa que aparece na plateia. Em outra apresenta\u00e7\u00e3o teatral de Rutas del Conflicto, os rep\u00f3rteres apresentaram uma investiga\u00e7\u00e3o sobre o que \u00e9 conhecido como\u00a0\u201cfalsos positivos\u201d<\/u><\/a> do conflito armado colombiano: civis que foram falsamente acusados de serem membros de uma guerrilha e morreram nas m\u00e3os do ex\u00e9rcito. Parra disse que funcion\u00e1rios do Tribunal Constitucional eram parte da plateia nessas apresenta\u00e7\u00f5es e que at\u00e9 interagiram com as informa\u00e7\u00f5es mesmo depois do espet\u00e1culo.<\/p>\n

\"Two

Lucero Carmona (right), mother of a victim of the 'false positives' operations in Colombia, speaks alongside Oscar Parra (left) during a theatrical performance by Rutas del Conflicto. (Photo by Nicole Acuna\/Rutas del Conflicto)<\/p><\/div>\n

A pesquisa para a pe\u00e7a sobre o projeto de palma destaca uma regi\u00e3o esquecida pelo Estado, valorizada pelos Sikuani e cobi\u00e7ada pelos empres\u00e1rios. Devido ao conflito armado interno da Col\u00f4mbia, muitos povos ind\u00edgenas, n\u00e3o apenas os Sikuani, n\u00e3o t\u00eam outra escolha sen\u00e3o migrar. Na produ\u00e7\u00e3o teatral, esses interesses no uso dessas terras ancestrais s\u00e3o retratados em personagens obscuros com liga\u00e7\u00f5es ao narcotr\u00e1fico, assumindo o controle do sistema jur\u00eddico para invadir e explorar o territ\u00f3rio para o neg\u00f3cio da palma, explicou Mar\u00eda Isabel Torres, editora de programas da Mongabay Latam, \u00e0 LJR.<\/p>\n

\"\u00c9 importante mostrar a hist\u00f3ria com as reivindica\u00e7\u00f5es que a comunidade Sikuani faz\", disse Parra. \"Tamb\u00e9m ser\u00e1 mais potencializada (a mudan\u00e7a) se tivermos pessoas no p\u00fablico que possam tomar decis\u00f5es.\"<\/p>\n

Torres disse que distra\u00e7\u00f5es como o telefone n\u00e3o interceptam a mensagem jornal\u00edstica neste formato. Longe dos ru\u00eddos online como a desinforma\u00e7\u00e3o ou as not\u00edcias falsas, que criam uma desconex\u00e3o entre o usu\u00e1rio e o conte\u00fado, no teatro a escuta \u00e9 constante.<\/p>\n

\"Two

Juan Carlos Contreras and Oscar Parra perform as part of Rutas del Conflicto's theatrical production on the displacement of the Sikuani Indigenous people. (Photo by Ricardo Quintero\/Rutas del Conflicto)<\/p><\/div>\n

Este formato teatral \"permite que n\u00f3s, jornalistas, nos aprofundemos em nossas t\u00e9cnicas narrativas para contar n\u00e3o apenas a den\u00fancia, mas tamb\u00e9m as hist\u00f3rias de nossos personagens e at\u00e9 nos encoraja a mostrar nossas pr\u00f3prias anedotas enquanto investigamos\", disse Torres.<\/p>\n

Os dois elementos, a ess\u00eancia do teatro e da narrativa jornal\u00edstica, criam uma experi\u00eancia colaborativa \u00fanica, gerando um espa\u00e7o onde o p\u00fablico acompanha o di\u00e1logo narrativo da beirada de suas cadeiras.<\/p>\n

\"Propostas como as de Rutas del Conflicto fazem parte dessa busca que muitos jornalistas est\u00e3o fazendo n\u00e3o s\u00f3 para chegar a mais pessoas, mas para chegar melhor, com maior conex\u00e3o\", disse Torres.<\/p>\n","protected":false},"excerpt":{"rendered":"

Por meio de uma apresenta\u00e7\u00e3o teatral, jornalistas investigativos do site colombiano Rutas del Conflicto contam a hist\u00f3ria de como os ind\u00edgenas Sikuani foram deslocados de sua terra ancestral.<\/p>\n","protected":false},"author":3,"featured_media":120084,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1217],"tags":[1396],"coauthors":[2749],"class_list":["post-120066","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-inovacao-pt-br","tag-colombia-pt-br-2"],"acf":[],"yoast_head":"\nRep\u00f3rteres d\u00e3o vida \u00e0s investiga\u00e7\u00f5es no palco para criar uma conex\u00e3o profunda com o p\u00fablico - LatAm Journalism Review by the Knight Center<\/title>\n<meta name=\"description\" content=\"Rep\u00f3rteres d\u00e3o vida \u00e0s investiga\u00e7\u00f5es no palco para criar uma conex\u00e3o profunda com o p\u00fablico Inova\u00e7\u00e3o. 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She is interested in press freedom, democratization, and investigative journalism in Latin America and is dedicated to increasing awareness about the importance of independent news media to the health of democracies. She produces journalistic work with the aim of helping people to make informed decisions about their lives and societies and wants to make sure other journalists are able to do the same. She has Bachelors' degrees in Journalism and Plan II Honors (Liberal Arts) and a Master's degree in Latin American Studies, all from the University of Texas at Austin. She started her journalistic career at The Beaumont Enterprise in Southeast Texas where she last worked as a breaking news reporter. ______ Teresa Mioli es la directora editorial del Centro Knight para el Periodismo en las Am\u00e9ricas. Es una periodista con inter\u00e9s en la libertad de prensa, la democratizaci\u00f3n y el periodismo investigativo en Am\u00e9rica Latina y est\u00e1 dedicada a crear mayor consciencia sobre la importancia de los medios noticiosos independientes para la salud de las democracias. El objetivo de su trabajo period\u00edstico es ayudar las personas para que tomen decisiones informadas sobre sus vidas y sus sociedades, y busca que otros periodistas tengan la posibilidad de hacer lo mismo. Teresa tiene una licenciatura en Periodismo y Artes liberales (Plan II Honors), y una maestr\u00eda en Estudios Latinoamericanos, todos de la Universidad de Texas en Austin. Empez\u00f3 su carrera en periodismo en The Beaumont Enterprise al sureste de Texas, en donde recientemente trabaj\u00f3 como reportera de noticias de \u00faltima hora. 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She is interested in press freedom, democratization, and investigative journalism in Latin America and is dedicated to increasing awareness about the importance of independent news media to the health of democracies. She produces journalistic work with the aim of helping people to make informed decisions about their lives and societies and wants to make sure other journalists are able to do the same. She has Bachelors' degrees in Journalism and Plan II Honors (Liberal Arts) and a Master's degree in Latin American Studies, all from the University of Texas at Austin. She started her journalistic career at The Beaumont Enterprise in Southeast Texas where she last worked as a breaking news reporter. ______ Teresa Mioli es la directora editorial del Centro Knight para el Periodismo en las Am\u00e9ricas. Es una periodista con inter\u00e9s en la libertad de prensa, la democratizaci\u00f3n y el periodismo investigativo en Am\u00e9rica Latina y est\u00e1 dedicada a crear mayor consciencia sobre la importancia de los medios noticiosos independientes para la salud de las democracias. El objetivo de su trabajo period\u00edstico es ayudar las personas para que tomen decisiones informadas sobre sus vidas y sus sociedades, y busca que otros periodistas tengan la posibilidad de hacer lo mismo. Teresa tiene una licenciatura en Periodismo y Artes liberales (Plan II Honors), y una maestr\u00eda en Estudios Latinoamericanos, todos de la Universidad de Texas en Austin. Empez\u00f3 su carrera en periodismo en The Beaumont Enterprise al sureste de Texas, en donde recientemente trabaj\u00f3 como reportera de noticias de \u00faltima hora. Anteriormente ella fue la editora de LatAm Journalism Review del Centro Knight. ______ Teresa Mioli \u00e9 gerente editorial do Centro Knight para o Jornalismo nas Am\u00e9ricas. Ela se interessa por liberdade de imprensa, democratiza\u00e7\u00e3o e jornalismo investigativo na Am\u00e9rica Latina e se dedica a aumentar a conscientiza\u00e7\u00e3o sobre a import\u00e2ncia da m\u00eddia independente para a sa\u00fade das democracias. Ela produz trabalhos jornal\u00edsticos com o objetivo de ajudar as pessoas a tomarem decis\u00f5es informadas sobre suas vidas e sociedades e deseja garantir que outros jornalistas possam fazer o mesmo. Ela tem bacharelado em jornalismo e artes liberais e um mestrado em Estudos Latino-Americanos, todos pela Universidade do Texas em Austin. 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