![](\"https:\/\/live.staticflickr.com\/65535\/32695263947_95b5d07de8_o.png\")
<\/a>Velocidad (Screenshot)<\/div>\nCom isso em mente, a SembraMedia e o Centro Internacional de Jornalistas (ICFJ, na sigla em ingl\u00eas), com financiamento da Luminate, lan\u00e7aram o Velocidad, um acelerador de m\u00eddia com o objetivo de promover a sustentabilidade e o crescimento de projetos de jornalismo digital de alta qualidade, com independ\u00eancia editorial, que operam\u00a0na Am\u00e9rica Latina.<\/p>\n
Janine Warner e Mijal Iastrebner, co-fundadores da SembraMedia, uma organiza\u00e7\u00e3o que promove o jornalismo empreendedor na Ibero-Am\u00e9rica, apresentaram a iniciativa durante o 12\u00ba Col\u00f3quio Ibero-americano de Jornalismo Digital, realizado em 14 de abril na Escola de Jornalismo da Universidade do Texas. em Austin, um evento ap\u00f3s o Simp\u00f3sio Internacional de Jornalismo Online (ISOJ).<\/p>\n
\"Com este acelerador, podemos incentivar n\u00e3o apenas o investimento, mas tamb\u00e9m o acompanhamento e a consultoria, e um olhar contempor\u00e2neo e din\u00e2mico sobre o que est\u00e1 acontecendo no mercado. Com isso, podemos realmente dar um impulso ao jornalismo que sabemos estar sendo feito na Am\u00e9rica Latina, que n\u00e3o \u00e9 apenas jornalismo de alta qualidade, mas tamb\u00e9m jornalismo necess\u00e1rio\", disse Iastrebner.<\/p>\n
A iniciativa \u2013 organizada<\/span> pela SembraMedia e pelo ICFJ \u2013<\/span> inclui um fundo de US$ 1,5 milh\u00e3o fornecido pela Luminate, a organiza\u00e7\u00e3o filantr\u00f3pica do The Omidyar Group.<\/p>\nO suporte para a m\u00eddia\u00a0selecionada consistir\u00e1 em financiamento e 1.600 horas de consultoria especializada. As organiza\u00e7\u00f5es escolher\u00e3o 75 m\u00eddias digitais para o primeiro turno, das quais 25 ir\u00e3o para um segundo est\u00e1gio. Todos os semifinalistas receber\u00e3o um relat\u00f3rio de recomenda\u00e7\u00e3o e acesso total \u00e0 escola online da SembraMedia, embora apenas um m\u00e1ximo de 10 meios recebam os fundos.<\/p>\n
\"Vamos apoiar esse processo fazendo algo bastante personalizado, ent\u00e3o a quantidade de meios que estamos escolhendo nos permite focar e realmente personalizar essa acelera\u00e7\u00e3o\", disse Iastrebner. \"E n\u00f3s vamos apoiar isso com algo que fazemos muito bem, que \u00e9 oferecer uma grande rede de jornalistas especializados, tanto do nosso campo quanto de fora de nosso campo, que podem ser complementares e criar um universo mais expandido para estes meios de comunica\u00e7\u00e3o.\"<\/p>\n
O meio que busca fundos da Velocidad deve ser nativo digital ou nas redes sociais, operando em espanhol ou portugu\u00eas. O concorrente deve aspirar a ter independ\u00eancia econ\u00f4mica e editorial e ser sustentado com mais de uma fonte de renda diversificada. Al\u00e9m disso, deve\u00a0ter uma vida \u00fatil m\u00ednima de seis meses na ind\u00fastria, gerar conte\u00fado que tenha impacto social ou c\u00edvico em suas comunidades e n\u00e3o deve ter qualquer rela\u00e7\u00e3o com entidades eclesi\u00e1sticas ou pol\u00edticas.<\/p>\n
O per\u00edodo de inscri\u00e7\u00e3o para o Velocidad foi aberto em 13 de abril durante o ISOJ, e permanecer\u00e1 aberto at\u00e9 1\u00ba de julho. Em setembro deste ano, os 25 finalistas ser\u00e3o escolhidos e em janeiro de 2020 a primeira rodada de 10 m\u00eddias vencedoras ser\u00e1 anunciada.<\/p>\n
\"Hoje temos mais de 800 exemplos incr\u00edveis de jornalismo independente na Am\u00e9rica Latina e vem de tr\u00eas anos e meio de estudo, mapeamento, pesquisa, tentando entender o que funciona, o que n\u00e3o funciona, que ideias podemos compartilhar e como podemos ajudar essas novas vozes a serem mais bem reconhecidas\u201d, disse Werner.<\/p>\n","protected":false},"excerpt":{"rendered":"
Numa \u00e9poca em que o jornalismo est\u00e1 sujeito a v\u00e1rias amea\u00e7as na Am\u00e9rica Latina, a m\u00eddia independente exige n\u00e3o apenas financiamento suficiente, mas tamb\u00e9m encorajamento e orienta\u00e7\u00e3o de outras organiza\u00e7\u00f5es que experimentaram f\u00f3rmulas bem-sucedidas.<\/p>\n","protected":false},"author":19,"featured_media":6136,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1353],"tags":[1594,1593],"coauthors":[],"class_list":["post-6144","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-premios-e-oportunidades-pt-br","tag-ensino-a-distancia-pt-br","tag-jornalismo-online-pt-br"],"acf":[],"yoast_head":"\n
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Previamente escribi\u00f3 sobre innovaci\u00f3n en periodismo para la Fundaci\u00f3n Gabo en Colombia y actualmente escribe para la revista digital LatAmJournalism Review del Centro Knight. Originario de la Ciudad de M\u00e9xico, C\u00e9sar se ha convertido en un n\u00f3mada digital que combina la creaci\u00f3n de contenido con su pasi\u00f3n por viajar. _________ C\u00e9sar L\u00f3pez Linares come\u00e7ou sua carreira no jornal mexicano REFORMA como coeditor de entretenimento e m\u00eddia. Ele escreveu para publica\u00e7\u00f5es como TODO Austin, Texas Music Magazine e The Austin Chronicle. C\u00e9sar tem mestrado em jornalismo pela University of Texas em Austin e \u00e9 bacharel em comunica\u00e7\u00e3o pela Universidad Nacional Aut\u00f3noma de M\u00e9xico. Antes disso, ele escreveu sobre inova\u00e7\u00e3o no jornalismo para a Funda\u00e7\u00e3o Gabo na Col\u00f4mbia. Atualmente escreve para a revista digital LatAmJournalism Review do Centro Knight. 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He has written for publications such as TODO Austin, Texas Music Magazine and The Austin Chronicle. C\u00e9sar has a Master's degree in Journalism from the University of Texas at Austin and a Bachelors degree in Communication from the National Autonomous University of Mexico. He previously wrote about innovation in journalism for the Gabo Foundation in Colombia and currently reports for the Knight Center's LatAmJournalism Review digital magazine. A native of Mexico City, C\u00e9sar has become a digital nomad combining content creation with his passion for travel. ________ C\u00e9sar L\u00f3pez Linares inici\u00f3 su carrera en el diario mexicano REFORMA como coeditor de entretenimiento y medios. Ha escrito para publicaciones como TODO Austin, Texas Music Magazine y The Austin Chronicle. C\u00e9sar tiene una Maestr\u00eda en Periodismo de la Universidad de Texas en Austin y una Licenciatura en Comunicaci\u00f3n de la Universidad Nacional Aut\u00f3noma de M\u00e9xico. Previamente escribi\u00f3 sobre innovaci\u00f3n en periodismo para la Fundaci\u00f3n Gabo en Colombia y actualmente escribe para la revista digital LatAmJournalism Review del Centro Knight. Originario de la Ciudad de M\u00e9xico, C\u00e9sar se ha convertido en un n\u00f3mada digital que combina la creaci\u00f3n de contenido con su pasi\u00f3n por viajar. _________ C\u00e9sar L\u00f3pez Linares come\u00e7ou sua carreira no jornal mexicano REFORMA como coeditor de entretenimento e m\u00eddia. Ele escreveu para publica\u00e7\u00f5es como TODO Austin, Texas Music Magazine e The Austin Chronicle. C\u00e9sar tem mestrado em jornalismo pela University of Texas em Austin e \u00e9 bacharel em comunica\u00e7\u00e3o pela Universidad Nacional Aut\u00f3noma de M\u00e9xico. Antes disso, ele escreveu sobre inova\u00e7\u00e3o no jornalismo para a Funda\u00e7\u00e3o Gabo na Col\u00f4mbia. Atualmente escreve para a revista digital LatAmJournalism Review do Centro Knight. 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