César López Linares began his career at the Mexican newspaper REFORMA as an entertainment and media co-editor. He has written for publications such as TODO Austin, Texas Music Magazine and The Austin Chronicle. César has a Master's degree in Journalism from the University of Texas at Austin and a Bachelors degree in Communication from the National Autonomous University of Mexico. He previously wrote about innovation in journalism for the Gabo Foundation in Colombia and currently reports for the Knight Center's LatAmJournalism Review digital magazine. A native of Mexico City, César has become a digital nomad combining content creation with his passion for travel.
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César López Linares inició su carrera en el diario mexicano REFORMA como coeditor de entretenimiento y medios. Ha escrito para publicaciones como TODO Austin, Texas Music Magazine y The Austin Chronicle. César tiene una Maestría en Periodismo de la Universidad de Texas en Austin y una Licenciatura en Comunicación de la Universidad Nacional Autónoma de México. Previamente escribió sobre innovación en periodismo para la Fundación Gabo en Colombia y actualmente escribe para la revista digital LatAmJournalism Review del Centro Knight. Originario de la Ciudad de México, César se ha convertido en un nómada digital que combina la creación de contenido con su pasión por viajar.
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César López Linares começou sua carreira no jornal mexicano REFORMA como coeditor de entretenimento e mídia. Ele escreveu para publicações como TODO Austin, Texas Music Magazine e The Austin Chronicle. César tem mestrado em jornalismo pela University of Texas em Austin e é bacharel em comunicação pela Universidad Nacional Autónoma de México. Antes disso, ele escreveu sobre inovação no jornalismo para a Fundação Gabo na Colômbia. Atualmente escreve para a revista digital LatAmJournalism Review do Centro Knight. Nascido na Cidade do México, César se tornou um nômade digital combinando a criação de conteúdo com sua paixão por viagens.
Proyecto Desclasificados, in Argentina, created a public and easily accessible database of declassified U.S. government documents related to Argentina, while Archivero, in Mexico, works against the authorities' refusal to allow access to documents classified as "state secrets" or "national security."
Faced with the racial and cultural biases that exist in artificial intelligence tools, journalists from Grupo Octubre (Argentina), El Surtidor (Paraguay) and GMA News (Philippines) created Image2Text, a computer vision platform that seeks to add context from the Global South to image recognition technology.
A little more than a month after the departure of President Pedro Castillo, the Peruvian press has experienced more than 70 cases of aggressions including beatings, insults and vandalism of equipment and facilities by demonstrators, as well as threats, obstruction of coverage and even an attack with rubber bullets by police officers.
At least half a dozen journalists were victims of theft, intimidation and obstacles to carry out their work by members of organized crime during the wave of violence unleashed on Jan. 5 in the capital of the state of Sinaloa following the arrest of Ovidio Guzmán, son of "El Chapo."
Investigative news outlets Revista Espejo and Red Es Poder, located in Mexico's high-crime states, have produced journalistic content for businesses and paid coverage of events as alternative sources of income. This has helped compensate for a lack of advertising resulting from brands' fear of advertising in news outlets that cover insecurity or corruption.
Photographer Pedro Valtierra — who captured iconic images of the Sandinista Revolution in Nicaragua and the Indigenous uprising in Chiapas, and who was honored at this year's Guadalajara FIL — says it is important for journalists to record violence and social conflict, but without being reckless or taking sides.
In a year of hostility and opacity towards journalism by the Guatemalan government, Prensa Libre and Guatevisión reporter Carlos Kestler was chosen as a finalist for the Thomson Foundation's Young Journalist of the Year award for his special 'Broken Connectivity.'
Using satellite imagery and geo-referencing, following the trail of trafficking networks and taking care for the safety of journalist and sources are techniques that journalists Yvette Sierra of Mongabay, Joseph Poliszuk of Armando.Info and freelancer Hyury Potter have applied in their investigations of illegal mining in Latin America.
The "No fue el fuego" [It wasn’t the fire] special, winner of the Gabo 2022 Award for Coverage, achieves a harmonious convergence of different formats in a transmedia investigation of a fire in which 41 girls lost their lives in Guatemala.
During the LATAM Festival of Digital Media and Journalism, journalists from Cuba, Guatemala, Mexico, and Venezuela shared how they go around the opacity and hostility of their governments. They agreed that the lack of transparency and access to information can cost human lives.