Marina Estarque is a Brazilian journalist living in São Paulo. She has worked for Brazilian news organizations such as Folha de S.Paulo, O Estado de S. Paulo, O Dia and the fact-checking agency Lupa. Marina was a correspondent in Brazil for the German international broadcaster Deutsche Welle and a radio reporter for DW Africa in Germany. She also worked as a reporter for United Nations Radio, in New York, and for Spanish newspaper La Voz de Galicia. Marina graduated in Journalism from the Federal University of Rio de Janeiro and has a Master’s degree in Editorial Journalism from the University of A Coruña (Spain).
Marina Estarque es una periodista brasileña que vive en São Paulo. Ella ha trabajado para diversas organizaciones periodísticas como Folha de S.Paulo, O Estado de S. Paulo, O Dia y en la agencia de fact-checking Lupa. Marina ha sido corresponsal en Brasil del canal internacional alemán Deutsche Welle y reportera de radio de DW África en Alemania. También trabajó como reportera de Radio de las Naciones Unidas en Nueva York y en el diario español La Voz de Galicia. Marina tiene una maestría en edición periodística de la Universidad de Coruña (España) y se graduó en periodismo en la Universidad Federal de Río de Janeiro.
Marina Estarque é uma jornalista brasileira que vive em São Paulo. Ela trabalhou para veículos como Folha de S.Paulo, O Estado de S. Paulo, O Dia e a agência de fact-checking Lupa. Marina foi correspondente no Brasil para a emissora internacional da Alemanha, a Deutsche Welle, e repórter de rádio para a DW África na Alemanha. Ela também foi repórter da Rádio das Nações Unidas em Nova York e do jornal espanhol La Voz de Galicia. Marina é mestre em edição jornalística pela Universidade da Coruña (Espanha) e graduada em jornalismo pela Universidade Federal do Rio de Janeiro.
Ferry, whose career spans more than three decades, is described as a photojournalist "with the patience of an anthropologist and great humanity" by the Columbia Journalism School.
With the pandemic, indigenous media have gotten information about the disease to isolated communities, with little or no access to the internet.
Daily obstacles motivated Panamanian journalists Ana Graciela Méndez and Alfonso Grimaldo to create El Tabulario – a project, launched at the end of May, which collects, analyzes and disseminates public data with the aim of promoting transparency in the country.
As of June 1, Gazeta do Povo, the newspaper with the largest circulation in the Brazilian state of Paraná, will no longer publish its daily print edition. The transition to a business model focused on digital mobile platforms is bold, considering the newspaper's audience: more than half of Gazeta's subscribers come from the print edition.
Civil servants who do not comply with the Law on Access to Information (LAI) in Brazil are not punished, according to a recent report from Article 19 Brazil, an NGO that defends freedom of expression and the right to information. The report was launched in celebration of the five-year law, which became effective on May 16.
Fiquem Sabendo, an independent data journalism website founded by Brazilian journalist Léo Arcoverde, celebrates its two year anniversary in May with hundreds of reports and more than one thousand applications to the Law for Access to Information.
Founded by a social scientist, an engineer and a journalist, Brazilian news site Nexo was born as a multidisciplinary venture, with the aim of innovating in the form and approach of information. The proposal: leave aside breaking coverage and bet on journalism of context, made by professionals from different areas, that explains the news through multimedia, interactive and data reports.
After criticism from journalist associations and entities, Judge Sergio Moro, who is responsible for cases dealing with the Lava Jato corruption scandal, backed down from the decision to access communications of Brazilian blogger Eduardo Guimarães. In an order published on March 23, Moro annulled the material obtained with the seizure of Guimarães’ telephones and computers, which would allow the identification of his sources.
The Brazilian Association of Investigative Journalism (Abraji) and nonprofit Transparency Brazil launched the project Achados e Pedidos (Request and Found), which aims to be the country’s largest platform for requests and responses to the Law of Access to Information (LAI), as well as a tool to monitor compliance with the legislation.
The photos on Simon Romero’s Instagram account are microcosms of the places and people has has written about in the region for more than a decade. Views of abandoned swimming pools in Henry Ford’s long-forgotten town in the Amazon, of a fisherman banked along the Río de la Plata in Buenos Aires, or artists “pimping” the carts of trash collectors in Rio and guanacos in Patagonia.