César López Linares began his career at the Mexican newspaper REFORMA as an entertainment and media co-editor. He has written for publications such as TODO Austin, Texas Music Magazine and The Austin Chronicle. César has a Master's degree in Journalism from the University of Texas at Austin and a Bachelors degree in Communication from the National Autonomous University of Mexico. He previously wrote about innovation in journalism for the Gabo Foundation in Colombia and currently reports for the Knight Center's LatAmJournalism Review digital magazine. A native of Mexico City, César has become a digital nomad combining content creation with his passion for travel.
________
César López Linares inició su carrera en el diario mexicano REFORMA como coeditor de entretenimiento y medios. Ha escrito para publicaciones como TODO Austin, Texas Music Magazine y The Austin Chronicle. César tiene una Maestría en Periodismo de la Universidad de Texas en Austin y una Licenciatura en Comunicación de la Universidad Nacional Autónoma de México. Previamente escribió sobre innovación en periodismo para la Fundación Gabo en Colombia y actualmente escribe para la revista digital LatAmJournalism Review del Centro Knight. Originario de la Ciudad de México, César se ha convertido en un nómada digital que combina la creación de contenido con su pasión por viajar.
_________
César López Linares começou sua carreira no jornal mexicano REFORMA como coeditor de entretenimento e mídia. Ele escreveu para publicações como TODO Austin, Texas Music Magazine e The Austin Chronicle. César tem mestrado em jornalismo pela University of Texas em Austin e é bacharel em comunicação pela Universidad Nacional Autónoma de México. Antes disso, ele escreveu sobre inovação no jornalismo para a Fundação Gabo na Colômbia. Atualmente escreve para a revista digital LatAmJournalism Review do Centro Knight. Nascido na Cidade do México, César se tornou um nômade digital combinando a criação de conteúdo com sua paixão por viagens.
What appeared to be a case of money laundering done through a network of laundromats and car washes (in Portuguese, lava jato means “pressure washing”), turned out to be the largest corruption network in Brazilian history that ultimately extended to at least 12 countries. It has brought businessmen to justice and has shaken more than one government.
After The New York Times published an investigation reporting the use of malware to infect devices of journalists and critics of the administration of Mexican President Enrique Peña Nieto, a group of journalists and human rights defenders in that country formally denounced a spying case allegedly carried out against them by Government agencies.
The murder of award-winning Mexican journalist Javier Valdez on May 15 was the last straw for the reporters’ guild in that country, considered one of the most dangerous to practice journalism in the world.
For five years, the Buenos Aires, Argentina branch of Hacks/Hackers has gathered thousands of journalists and tech experts in its fair city to discuss the future of news and innovation. This September, the conference known as Media Party will address one of the biggest threats to the news industry and greatest opportunities for innovation: fake news.
A political scandal that transcends borders, such as Operation Car Wash –the network of corruption and money laundering that originated in Brazil and involves politicians and businessmen from several countries– requires cross-border, collaborative and persistent journalistic work.
Operation Car Wash, known as Lava Jato in Brazil and considered the biggest corruption case in that country’s history, has provoked the indignation of many citizens. For this reason, journalist Luiz André Alzer gave Brazilians the opportunity to seek "revenge" and punish corrupt politicians and businessmen through a card game he created that is inspired by real characters and situations of the scandal.
Considering the concentration of media ownership that has historically existed in Latin America – which threatens diversity and pluralism in that sector – UNESCO has recommended that States seek a balance between the rights of broadcasters and the audience.
Following the call of the Committee to Protect Journalists (CPJ) to take stricter measures to end impunity in violence against journalists, the president of that country, Enrique Peña Nieto, promised to make the issue one of the priorities of what remains of his administration.
From 2001 to the present, 69 media professionals in Honduras have died in violent circumstances, and people have been sentenced in only six of those cases. That is, 91 percent of the deaths remains in impunity, according to a report by the country’s National Commission of Human Rights (CONADEH for its acronym in Spanish).
2016 was a critical year for the exercise of journalism in the world, according to the annual reports of three international organizations that promote freedom of expression and the press.