César López Linares began his career at the Mexican newspaper REFORMA as an entertainment and media co-editor. He has written for publications such as TODO Austin, Texas Music Magazine and The Austin Chronicle. César has a Master's degree in Journalism from the University of Texas at Austin and a Bachelors degree in Communication from the National Autonomous University of Mexico. He previously wrote about innovation in journalism for the Gabo Foundation in Colombia and currently reports for the Knight Center's LatAmJournalism Review digital magazine. A native of Mexico City, César has become a digital nomad combining content creation with his passion for travel.
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César López Linares inició su carrera en el diario mexicano REFORMA como coeditor de entretenimiento y medios. Ha escrito para publicaciones como TODO Austin, Texas Music Magazine y The Austin Chronicle. César tiene una Maestría en Periodismo de la Universidad de Texas en Austin y una Licenciatura en Comunicación de la Universidad Nacional Autónoma de México. Previamente escribió sobre innovación en periodismo para la Fundación Gabo en Colombia y actualmente escribe para la revista digital LatAmJournalism Review del Centro Knight. Originario de la Ciudad de México, César se ha convertido en un nómada digital que combina la creación de contenido con su pasión por viajar.
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César López Linares começou sua carreira no jornal mexicano REFORMA como coeditor de entretenimento e mídia. Ele escreveu para publicações como TODO Austin, Texas Music Magazine e The Austin Chronicle. César tem mestrado em jornalismo pela University of Texas em Austin e é bacharel em comunicação pela Universidad Nacional Autónoma de México. Antes disso, ele escreveu sobre inovação no jornalismo para a Fundação Gabo na Colômbia. Atualmente escreve para a revista digital LatAmJournalism Review do Centro Knight. Nascido na Cidade do México, César se tornou um nômade digital combinando a criação de conteúdo com sua paixão por viagens.
Millennials came of age alongside the internet and consume news and information differently than previous generations. As in other parts of the world, Latin Americans have created niche sites with content made to reach this population.
Ecuador’s citizens went to the polls on Feb. 19 to elect a new president who will face a variety of challenges, not least among them, the reduction of a steep fiscal deficit.
NBA Commissioner Adam Silver said in early 2017 that he was considering reducing the time of basketball games given the increasingly short attention span of the public, especially the so-called “millenial.”
When ranchera singer Pedro Infante died in April 1957, then-nascent Mexican television broadcast his funeral live, with black-and-white images showing a crowd following his funeral procession through the streets of Mexico City. It became a historic television broadcast in that country.
Early in the morning of May 6, 1996, Gustavo Díaz, a merchant in the port of Turbo, in Urabá, Colombia, lost everything. His wife and two of his daughters were murdered and burned along with his grocery store at the hands of guerrillas of the Revolutionary Armed Forces of Colombia (FARC), in one of more than 2,000 massacres that have occurred in that country since 1982.
When Eduardo Salles co-founded Pictoline at the end of 2015, he was not trying to explain the world with “little drawings.” Rather, the challenge was to use design as a tool to make information relevant and understandable for all people.
Innovative journalistic projects in Latin America that use virtual reality and 360 video technologies still do not generate new revenue for media outlets, but they have managed to broaden audience, especially among the younger public, according to journalists involved in their production.
In 1895, after several failed attempts brothers Louis and Auguste Lumière successfully used the cinematograph to show images in motion on a screen for the first time in public.
After several years of joining forces, the “Rebel Alliance” took another step forward in its struggle to survive the forces of the dark side.